Following on from the successful dance installation in The Crypt, the original collaborators meet again with a fresh approach to re-stage this vibrant work for the theatre.
Fields of detail for the stage explores a mixture of states, flashes and interactions in-between dance, music and live projected image. The stage decoration consists of five hanging lightbulbs,turned on and off by the dancers themselves as they move around them in the darkness or light.
Live Body, a self performed solo which addresses feminine body as a structure of bones and flesh; its humanity and personal emotions
This researched performance project brings out the voice from within whilst deepest insights and instincts play with pre-recorded emotional expressions.
Inspired by Croatian folk tradition, Roundness Reels portrays a sacred, reflective journey of individuals within contemporary myths to give a new perspective on the shared experience of ‘contemporary folk’ and traditional dance rites.
Created in collaboration with the performers, Roundness Reels draws on beliefs, myths, and shared jokes to challenge the communal experience of contemporary folk and traditional dance rites with more individual approaches to contemporary folk dancing.
Fields of detail, a dance installation created in the crypt of St Pancras Parish Church, London, is the result of a multi-media collaboration of
dance, music, video, visual art and a dramaturge.
The crypt, once dark, cavernous, and empty, comes alive with a vibrancy of movement, sound and image. Exploring the crypt with the dancers
as they weave their way through the hidden passages, time is punctuated by the percussive texture of the music; and the space pulsates with
vibrant rhythms.
With both quiet and noisy thoughts, Loud Silence does not tell a story
but rather represents snapshots of a journey within. Six dancers and a seventh who had the bad luck to ‘stay in’.
Music: Story 1 for for violin and electronics by Artem Vassilliey
Violin: Roman Mints
'In - Between Tracing Reflections’, solo
Choreographed and performed by Melita Spahic
One might say that it is the dark nothingness, another might see or feel or listen to the movements, and some may concentrate on the reflections
or flashes -‘In - Between Tracing Reflections’ explores ideas of mirror reflections, the live body, performance space, self reflective presence, and being in between or behind the audience.
Making ‘In - Between Tracing Reflections’ led to many questions and experiments with setting spaces for a dance, space for the
